Again, don’t forget to hit Enable Envelope to implement your settings.

You can set the starting point to any semitone of your liking. Here, we’ll draw a pitch envelope that will mirror our kick waveform (a fast attack, short decay, short sustain, and fast release). Once completed, click Enable Envelope to implement your settings.Ĭlick the Volume drop-down menu and select Pitch. Then, navigate to the Envelope window, choose Volume from the drop-down menu, and adjust the waveform to emulate the behavior of a kick sound (a fast attack, short decay, short sustain, and fast release). This will give you a basic saw wave to start with. Go to the top left of the plugin window, click the drop-down menu, and select Presets → Default. Let’s start with our first instance of Harmor. We’ll be using these to create the following sounds: a kick, a snare, and a hi hat. Let’s also route these channels to a bus group, in order for us to add signal processing later. To begin, let’s open a fresh session in FL 20 and load up three instances of Harmor, assigning each one its own designated mixer channel.

Harmor (the trial version is available in all copies of FL Studio).

Our main ingredients will be the following:

Gross beat fl studio 20